What to do is someone points a gun at your head.

Editor’s note: This post was originally published on Quora, in answer to the question, “What should you do if someone puts a gun to your head?” We republished the answer with permission from the author,  former police officer Justin Freeman.

 

The flippant (but obligatory) short answer is, “Whatever they tell you to.” Of course, within this there is nuance and some other considerations to be made:

 

Most important: Stay. Calm. There is no way you’re going to remember all of the stuff I’m about to say, but if you remember anything, remember to remain calm. If clarity of thought was ever important, it will be in the proceeding moments.

 

  • First, every point following this one will be dependent upon your remaining calm. You will be incapable of higher thought if your brain is seized up with an ‘oh my god oh my god oh my god’ cycle.
  • Second, calmness begets calmness. If you panic, you’re in turn going to panic a person with a gun to your head, who obviously felt backed into a corner prior to your beginning to scream and convulse two feet away from them.
  • Remember, your assailant has leveraged control of your physical movement by virtue of having a firearm, but you will, almost without exception, be at a psychological advantage in this situationif you stay calm. You will have the benefit of rationality, logic, rhetoric and persuasion, all of which you’re about to need in spades.

 

Next, establish eye contact with the assailant. It sounds simplistic, but looking into their eyes forces them to acknowledge, if only to themselves, your humanity in this situation.

 

  • Think about it: Most of us would have little compunction about a mouse dying outside of our presence, but could you yourself kill it if it was looking in your eyes? It would at least introduce a degree of hesitation.
  • You don’t want this person uncontrollable, but you do want them uncomfortable. You want them to start reconsidering the necessity of what they’re doing and begin looking for an out.

 

Know your assailant: Not every gun-toting criminal is created equal.

 

  • There are usually very specific contexts in which you’d find yourself with a gun to your head: in the course of a robbery, in a hostage situation, or at the inception of a kidnapping.
  • Of the three, a simple robbery is probably most likely, but probability doesn’t do you much good after the fact.
  • Each will require a different response, but they have a common denominator: the point of the encounter, in the vast majority of cases, is not to kill you.
  • If the person was determined to murder you, you would already be dead — and every second that passes is usually one passing in your favor when it comes to surviving the encounter. This is why I didn’t list things like school shootings and terrorism — the whole point in those instances is to maim and kill, so you’re unlikely to spend any time with a gun to your head.

 

Here are some considerations for each of the above scenarios. A robber is simply using the gun to increase their chances of success and as an insurance policy — the point is still your wallet or purse. Give it to them.

 

  • A lot of armchair wisdom on the Internet advocates chucking your money vessel in one direction and running pell-mell in the other; I honestly wouldn’t recommend this. I think there’s an inherent assumption here that they’re going to mindlessly key on the flying money a la the dog from Up. The goal is to keep the gun wielder calm, and the sudden motion of you winding back for your wallet/purse toss isn’t going to help your cause.
  • Telegraph your actions before you do them (“I’m going to reach into my back pocket to get my wallet out now”), reach for your wallet or remove your purse at quarter speed, and calmly hand them what they’re demanding.
  • During the whole process, study the person. Instead of trying to memorize exact height and weight or every article of clothing, try to find something unique about them personally. Unless the person is exceptionally tall, short, heavy or skinny, it’s not going to do the police much good later — everybody is “about six feet” and “around 1__ pounds.” And as far as clothing goes, what he’s wearing is coming off as soon as he’s out of sight and in a protected environment.
  • Think: If you were to see five people with this person’s general features, what about them personally would distinguish them? It might be a hairstyle, scar or birthmark, tattoo, piercing pattern, or something else. This information is stored in law enforcement databases for repeat offenders, and could prove invaluable in an investigation.
  • Remember, this is the only scenario in which your assailant will be unknown, so study carefully — in the course of your compliance.

 

A hostage taker is using you as a means to an end — simple leverage. This, contrary to media portrayals, most often won’t take the form of being a pawn in a grand bank robbery scheme. It will more often be you being gathered up as a personal hostage for get-away collateral.

 

  • If this is the case, police are likely already present. They probably won’t be giving you any directions, as they’ll be reasoning with your assailant, but listen carefully to what is going on.
  • Try to stay as quiet as possible. For sure don’t start screaming — you’re going to spike the stress level of both your assailant and the responding officers, which won’t be good for anybody. Try not to talk either — you’ll want your assailant to be able to hear the directions and commands of the police officers on scene.
  • There are some other issues I’d love to discuss here, but for reasons of officer safety and tactical advantage I just can’t. I will say this, though: stay as far away from your assailant’s head as you can. If you can imagine a triangle running from the outside corners of his or her eyes down to the bottom of their nasal septum (the cartilaginous wall between their nostrils), that will be the shot target should police be forced to engage with firearms. The reason is that bullets to this area have a better chance of producing an immediate kill, without even a flinch reflex, which might cause the person to pull the trigger of the gun they have to your head post-mortem. Or so I was told in Academy; I’ll grant that my instructors weren’t medical doctors.
  • If, instead of the above scenario, you’re alone with the hostage taker, you’re going to have to live off of the shirt sleeve of your common sense. The only thing I can really advise here is to talk to him or her as much as possible. Try to get them talking about something, especially what they believe in if they have some cause compelling them in the situation. Speak in measured, even tones, and defer to their intelligence and passion. Identifying with them creates a social connection they will have to overcome if they are deciding whether or not to kill you later.

 

A kidnapping changes the metrics significantly. While vanishingly rare (I can’t even find reliable statistics for adult kidnapping/abduction in the United States), some thoughts based on some of my understandings:

 

  • The only time I would advise you to be fully compliant during a kidnapping at gunpoint is if someone in your family is famously wealthy, and you’re fairly assured that the situation is motivated by an extortion attempt. In this case, it is in your assailant’s best interest to preserve your well-being.
  • You’re probably not very likely to be raped during an extortion attempt, because the power play is the money, not dominating you sexually. Plus, many rapes are forensics gold mines, and they’re probably not going to trade their payday in for an unwilling score, or risk so long a prison sentence for it — forcible rape committed by means of the display of a weapon is a mandatory minimum fifteen year prison sentence in Missouri with no possibility of sentence suspension.
  • In all other cases, the outlook is probably grim, especially if a vehicle gets involved. This is purely my opinion, but it’s given as a former police officer who still has connections and an ear to the ground: if you’re a woman being forced to drive at gunpoint by a man, there’s a high probability you’re driving yourself to the scene of your own rape and/or grave.
  • If there’s any way of forestalling getting into a vehicle, I’d do it. It may be looking past his shoulder and nodding, giving him the impression there’s somebody behind him, causing him to turn long enough for you to run like hell. It may be diving through the opposite door or window when you’re forced into the car. It may be you deciding to dig in and make your stand, hoping unplanned resistance will cause him to drop the gun or to retreat.
  • If you’re ambushed in your own car or can’t help being compelled into it, I would ignore direction commands and drive briskly to a police station or the most crowded place I could find, then slow to about five miles per hour and start honking the horn. The whole point of his demands about where to go is getting to a place of solitude where his anonymity is preserved and he is in control of the situation. I can almost guarantee he has no interest in killing you at fifty miles an hour, enduring the resultant car crash, then fleeing, armed, from a car with a gunshot victim in the driver’s seat. Nor is he interested in killing you while everybody looks on in the parking lot you found. You’re giving him an out — if he stashes the gun and flees, it will look to most people like a joke or a domestic squabble.
  • Obviously none of these courses of action is ideal, but you’ve been put in a situation where you’re probably going to have to choose between bad and worse at some point. There is no ‘right’ answer, just the ‘best, considering the circumstances’ answer, and I can’t pretend to be able to make it for you in advance.

 

No two gunpoint situations are alike, and they will all be very dynamic situations. My advice is to remain calm, be as compliant as you can, be aware of your surroundings, and do what you need to in order to survive. But the obvious best case scenario is keeping yourself out of the situation that put you on the business end of a firearm:

 

  • Try not to travel on foot alone, especially if you’re a woman, and especially if you’re impaired (by alcohol or otherwise). Most criminals who get a cheap gun to commit crime are cowards, and thus need the gun to gap-fill their cowardice. If you’re with one or two others, you’re introducing too many variables into the equation for their comfort. If you’re alone, though, they know that one versus one plus a gun will usually work out in their favor.
  • If you’re on a campus of any kind (corporate or collegiate), don’t feel completely safe in getting from one place to another, and don’t have friends close, get a security escort. If the campus has no provision for this, raise holy hell until they do. If you can’t find anybody in this regard and have a genuine concern about your surroundings, don’t hesitate to call your local law enforcement agency and request an officer. You are not being a bother. You are not wasting the officer’s time. You did not pull the officer from another assignment — you’ll only be sent an available patrol officer. We’re in the public safety business, and this obviously fits nicely. Now, it may take a while to get to you, especially if we’re busy; this will admittedly be low priority, and will be shelved until active incidents have responding officers — but don’t take that to mean that you’re unimportant. I was more than happy to do this, it took about twenty seconds, and it gave me a community contact.
  • If you’re going out for a night on the town, consider wearing an outfit that’s actually comfortable, as opposed to five inch stilettos and a dress that has all the give of Saran wrap (I’m picking on the ladies — guys usually don’t need to be told to pick a comfortable wardrobe). If you’re out and about enough, there will eventually be an instance in which you will need to run. In the case of an armed criminal, it may be for your life. I could only sigh in disdain at some women I saw downtown —in the midst of an active incident or disturbance, I would see them tippy-toeing down the sidewalk in their heels, trying to shuffle their feet in four-inch steps because they were wearing what amounted to a dress-length corset. Or peeling the heels off and subjecting their assuredly tender feet to the gravel and broken glass.
  • Don’t be ostentatious. Expensive jewelry and exhibited cash are road flares for robbers and thieves – if they feel they can get a quick score, they’ll stalk you from a distance for as long as it takes until they see a window of opportunity. If you look run of the mill, they’re less likely to take the chance; doing a prison sentence for armed robbery is a steep risk if all they’re likely to get is a ten dollar watch and a credit or debit card that they know will likely be cancelled before they can even try to use it.

 

Final piece of advice: Don’t do anything advocated here:
Read more: http://www.businessinsider.com/how-to-respond-if-somebody-holds-a-gun-to-your-head-2013-12#ixzz38D8FUegJ

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Challenge ACCEPTED! 13 Pictures – CollegeHumor Post

 

Sometimes you have to man up and face what lies before you. Whether that makes you a sociopath or not.

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Charles Barnes Resume

 

Contact
Charles Richard Barnes
6100 Arlington Expy. M201
Jacksonville FL, 32211

Cell. (859) 684-2517
(606) 571-6052
(859) 213-6152
Website: http://www.rickys.clanteam.com
Email: andro140@gmail.com
Skype: Wrecky-Bobby

 

Summary
I have a full range of skills in multiple fields including warehouse office and outdoors environments. I have skills ranging in Factory work, Contractor, Web Design, Graphic Design, Graphic Art, Logo Design, Photography, and Desktop Publishing. 

 I will complete my Associates degree in Graphic Design from FSCJ in 2016.

 

Experience
891 Frisch’s Big Boy Restaurant                                                      01/2006 – 06/2007

North Main Street, Nicholasville, KY 40356
Daniel Stokes (859) 881-8015
$8.00

 

·        I was a cashier, dishwasher, cook and salad bar attendant.

 

Colomer USA                                                                           07/2007 – 09/2008
5344 Overmyer Drive Jacksonville FL 32254
Robert Short (904) 693-1200
$15.75

 

·       I was a plastic assembly line worker. I also stacked pallets for shipping.

 

Amazon.com                                                                           10/2008 – 01/2009
1850 Mercer Road Lexington, KY 40511
Mike Hall (859) 381-0818
$10.00

 

·       I did general warehouse duties during peek season. I piled pallets, sorted, picked until I was trained as a forklift driver. I remained a forklift operator until I left for training.

 

Army National Guard                                                               03/2008 – 07/2010
50 Stonecrest Court, Shelbyville, KY 40065
Connell Rodriguez (502) 633-7804
$625 BiWeekly

 

·       I was a computer operator maintainer and soldier for the Kentucky guard. I completed all duties as a soldier of the Kentucky National Guard.

 

Denny’s                                                                                   07/2010 – 05/25/2013
1880 Newtown Pike Lexington, KY 40511
Debbie Peterson (859) 233-1874
$10.00

 

·       I started as a service assistant than I trained in trained in all other areas of the restaurant. I mainly cooked but my duties included stocking cleaning rotating food prepping and counting inventory.

 

Wal-Mart Supercenter                                                              07/2012 – 02/2013
500 W New Circle Road Lexington, KY 40511
Stephen Bel (859) 381-9370

$9.00

 

·       Trained in customer service, stocking and receiving and HAZMAT clean up.

 

Androcity                                                                                01/2002 – 01/2010

 

·       I created a Friday comic strip and web mastered androcity.com. I created all the graphics, HTML and installed the forums and a content management script using MYSQL and PHP coding. It was a Photoshop heavy site using nothing but HTML and CSS built in Notepad.

 

·       http://www.androcity.com (archive)

 

 

 

Shadowseen Studios                                                                  02/2010 – 02/2013

 

·       Here I made everything from illustrations to website banner ads. This was my personal website I had for the sole purpose of sharpening my skills. I used to test PHP CSS and MYSQL scripts and codes on this site weekly. It was also for art, music and animation.

 

·       http://www.shadowseen.com (closed)

 

 

 

Ricky Digital Graphic Design                                            06/22/2013 – Current

 

·       My graphic design portfolio and personal blog

 

·       http://rickys.clanteam.com

 

 

 

Adecco With Stratosphere Quality                           06/25/2013 – 12/07/2013
Webasto Roof Systems
2201 Innovation Dr, Lexington, KY 40511

Adecco Staffing: (859) 223-3112
Webasto: (859) 389-6100

$9.00

 

  • Responsible for inspecting quality of manufactured and shipped in products and equipment. This also included logging and repackaging, repair and rework, painting, assembly, use of power tools, contract work, attention to detail.

 


Adecco With UPS                                                            12/08/2013 – 02/01/2014

Amazon LEX2 Building
172 Trade St, Lexington, KY 40511
Adecco Staffing: (859) 223-3112
UPS: Josh Thomas: (859) 475-7014
$10.50

 

  • Responsible for unloading packages from trucks onto conveyor providing continuous flow of packages.

 


Famous Amos                                                    03/25/2014 – 06/15/2014

1111 Cesery Blvd, Jacksonville, FL 32211
Managers Joe and Carolyn: (904) 744-1453
$10.00
Position: Cook/Prep/Dish

 

  • Responsible for cooking quality food in a timely manner. Be clean fast on short order. Was starting to begin training as assistant manager.

 

Ranstad with L&W Supply                                                           06/12/2014
2919 Dawn Rd, Jacksonville, FL 32207
Randy: (904) 731-2290

$10.00
Position: Unloading Concrete, Warehousing

 

  • Responsible for unloading concrete slabs off truck and clean and maintain warehouse.

 

 

 

Ranstad with Vista Awnings                                              06/13/2014
Vista Products
8801 Corporate Square Court
Jacksonville, FL 32216
Jeff Pearce: 904.725.2242

$10.00
Position: Unloading Boxes, Warehousing

 

  • Responsible for unloading boxes off of trucks, stocking material, stacking material on pallets. General labor.

 

 

 

 

 

Education

 

GED From Earle C. Clements Job Corps.

 

FSCJ                                                                            2014 – —-

 

Currently rescheduled for Graphic Design and High School Completion classes to continue education beyond GED.

 

Full Sail University                                                                   2011 – 2012

 

I’m a former student at Full Sail University in the online graphic design bachelors program. I worked on a lot of logos magazine articles and web pages. The classes are online and the work is real world based with strict timelines and realistic projects.

 

Earle C. Clements Job Corps                                                    2008 – 2009

 

I studied computer repair and graphic design for a year and got a solid grounding in print. This is where I learned about non-web based graphics and desktop publishing.
– GED

 

Skills

 

Warehouse, Cooking, Prep, Quality Control, Attention to detail, Adaptability, Manufacturing, Standing Forklift, Sort, Pack, Unloading and Loading, Adobe Photoshop, Adobe Illustrator, Html Editor, Adobe Dreamweaver, Adobe Suite, Print Advertising, Print Design, Web Content Development, Html Design, Graphic Design, Graphic Art, Logo Design, Photography, Desktop Publishing, adobe, Dreamweaver, html, illustrator, web site production.

 

I also have skill in computer service repair and an excellent understanding of electronics. I can also do print work and manual labor.

 


* Professional-level skill in print and electronic design, with a demonstrated commitment to producing high-quality products.

* Familiarity with direct mail, product collateral materials and electronic communications.

* Demonstrates ability to turn concepts into high quality graphical communications.

* Demonstrates proficiency using Adobe Suite. (Photoshop, Illustrator and InDesign)

* Photo manipulation using Photoshop. (Resizing, cropping, cut outs, cover-ups, etc.)

* Ability to effectively organize server files including logos and images.

* Miscellaneous graphical support as needed. (Image location, creation and resize for Sales, Special Projects, Engineering, etc.)

* Resize advertising graphics as required.

* Experience with web site design and updates.

* Strong problem-solving, layout and typography skills.

* Ability to work well alone or as part of a team including printers, copywriters, photographers, other designers, account executives and marketing specialists.

* Able to handle multiple projects simultaneously, including tight deadlines

* Loves to work with people of varying backgrounds, cultures and technical skill levels.

* Excellent oral and written communication in English.

* Occasional lifting of objects up to 50 lb.

 

Some examples of my work can be found on my Deviantart portfolio page. http://andro140.devianrtart.com

 

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How to Run Your Business from a Browser | SCORE

How to Run Your Business from a Browser

It’s never been easier to start and run a small business. Not easy, mind you, but much easier thanks in large part to a wide range of low-cost, easy-to-use cloud-based applications.

Cloud computing – also called software-as-a-service (SaaS) – is merely a term for services that let you run your business right from your browser.

For small business owners and startup entrepreneurs, this is a fantastic development. What started as a simple idea with a few applications (email was first) has exploded into a massive global market that offers business owners generous choices for doing just about anything online.

Cloud Computing - SaaSA few benefits of running your business from a browser include these:

  • Low cost: Most cloud services are affordable and pay-as-you go, so there’s little or no up-front cost. This makes it easy to get started, and keeps costs predictable.
  • Improved security: Your information is stored in the cloud, so even if your computer gets fried, your data should still be safe.
  • Flexibility: You can scale up or down as needed and always be ready for what comes next.
  • Easy collaboration: Employees, contractors or partners can all work on the same documents in real time. And cloud apps are accessible from anywhere you have an Internet connection, using a PC, laptop, tablet or smartphone.
  • Automatic updates: Software updates and upgrades are automatic. There’s nothing new to purchase or install. Cloud app vendors also handle all of the maintenance – including security patches – so you don’t have to.

Google Docs is one of the most amazing browser-based solutions available to any small business. Not only is it good, it’s free and does pretty much anything that Microsoft Office can do, except it does it in “the cloud.” You can create and share basic documents, spreadsheets, presentations and drawings, among other things. And you can coordinate it all via Google Drive.

It seems almost too good to be true until you’ve actually used it. There’s nothing to install; no software to purchase. You can share with anyone else, via any kind of device, and your documents are automatically backed up in the cloud. Not bad for a price of, well, nothing.

Just the Beginning

But as good as it is, Google Docs just scratches the surface. From accounting, invoicing and expense tracking, to customer support, cash management and graphic design, the cloud solutions lineup is almost endless. A few that are popular with small businesses include FreshBooks, MYOB Live, JCurve and Cashbook Online.

Customer relationship management, or CRM, is also perfect for the cloud. In this area, Salesforce (www.salesforce.com) is the leader. Cloud CRM has the potential to transform how you do business from a browser by managing accounts, tracking quotes and opportunities, and forecasting your sales.

In the marketing realm, vendors such as Marketo, HubSpot, Silverpop and Eloqua offer ways to generate, nurture and track more leads for your business. You also can find a long list of cloud-based finance applications via AppExchange.com – all of which will integrate with Salesforce.

Here are some other helpful ways to run your business from a browser:

  • Social Media: Cloud apps to help you get more out of social media include Sprout Social, SocialBro and HootSuite.
  • Customer Service: Desk.com is a simple and affordable customer help desk that caters to smaller businesses. Others such as GetSatisfaction.com or Ning.com can help you set up your own customer support community.
  • Collaboration: Google Docs, mentioned above, is perfect for online collaboration and sharing. Join.me is a free service that lets you share your screen with others. And Skype, of course, is a great way to connect by video.
  • People Management: Fast-growing small companies that are adding employees can benefit from cloud apps that help with goal setting and performance reviews. Options here include Work.com, Cornerstone on Demand, Insperity and Taleo. For a simple time-tracking system (good for consultants and contractors, for example), try Harvest (www.getharvest.com).
  • Content sharing and discovery: YouTube and Vimeo (for video); Flickr (photos); Slideshare (presentations) and DocStock (documents on all kinds).

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Take Advantage of Home Business Tax Breaks | SCORE

Tax Calendar

Running a business out of your home has many advantages: no commute, you can dress how you want (well, most of the time), easy access to your kids, etc. One extra advantage of a sideline home-based business is that you often qualify for extra tax breaks.

When you use part of your home for business, you’re allowed to deduct a “pro-rata” share of expenses such as rent or mortgage payments, real estate taxes, security system, home insurance premiums, heat, water, electricity, air conditioning and depreciation.  If your office space covers 500 square feet and your home is 2,000 square feet, 25% of your home expenses qualify. You can also deduct the pro-rata portion of any repairs or maintenance of your home that “benefit” your home office. Cosmetic upkeep — aluminum siding and landscaping, for example — are trickier.

Be aware that these deductions send up a red flag to the IRS. Don’t be scared off, just be prepared to justify, justify, justify the deductible portion of the cost. For added protection, file IRS Form 8829 with your tax return to explain why you need your home office and how it is used.

The amount you can deduct for home office expenses can’t be more than your business’s net income, after you’ve deducted your business expenses, such as supplies, travel expenses and phone charges. For example, if you have $4,000 in deductions, you can deduct the entire amount, as long as your business had at least $4,000 in net profit. Home office expenses that exceed your net income can be carried over to succeeding years as a loss.

To qualify for these tax breaks, your home office must be the main place where your goods and services are provided to customers and your revenues are generated. You can maximize your tax breaks, and keep more of what you earn if you:

  • Use your home office exclusively for business. The IRS won’t let you take a deduction for your kitchen, just because you use the kitchen table as your desk. You must have a separate room or partitioned area that’s devoted to business use.
  • List your home address as your principal place of business, even if part of your business, like a warehouse, is outside your home. Make sure you have a desk, filing cabinet and separate phone line for your business.
  • Store your merchandise or supplies on your property — in a detached shed, spare closet or your garage — instead of renting a warehouse. You’ll save on rental costs and get a tax break for the space you use.

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10 Crucial Lessons From History’s Greatest Graphic Designers | Co.Design | business + design

10 Crucial Lessons From History’s Greatest Graphic Designers

Simplify, visualize, know your user: the lessons of these design pioneers, from El Lissitzky to Paula Scher, are as relevant as ever.

 

Many people know the names of influential architects, artists, and fashion designers; far fewer know the names of graphic designers. It’s strange to me, since graphic designers create so much of our everyday world. And it’s not only civilians with a general interest in design who lack that knowledge. I have also encountered many design professionals and students who don’t know Herbert Bayer from Herbert Matter. I wanted to change that.

 

I wrote Graphic Icons: Visionaries Who Shaped Modern Graphic Design to highlight pioneers of graphic design, from El Lissitzky to Paula Scher. In the course of researching the book, I came to realize that each of these figures offers key lessons for today’s designers. Early 20th-century German designer Lucian Bernhard favored a flat minimalism that echoes the pared-down design popular in many contemporary user interfaces. Swiss designer Joseph Müller-Brockmann embraced and mastered the use of the grid, an important part of modern web design. Here’s a look at how can we take inspiration from these figures–not by copying their style, but by creating something new that is informed by their pioneering spirits.

 

Lucian Bernhard: Simplify

 

 

Lucian Bernhard was in his early twenties in 1905 when he entered his design in an advertising poster contest sponsored by Priester matches. Although Art Nouveau was popular at the time, with its complex ornaments and floral embellishments, Bernhard took a different creative direction, painting a simple scene showing a smoking cigar in an ashtray with matches. A friend saw the artwork and thought it advertised cigars. So Bernhard reduced all unnecessary detail until all that remained was a pair of red matches. He then painted the brand name. There was no slogan, nothing to distract from the visual of the product and its name.

 

Not only did Bernhard’s design win the contest, it launched a new, straightforward style of advertising that he continued for clients such as Excelsior Tires and Adler Typewriters. German companies in particular embraced this new flat minimalism, which they called Sachplakat (object poster, which led to the broader Plakatstil, or poster style–advertisers felt that Art Nouveau’s intricate decoration could obscure or compete with their product.

 

El Lissitzky: Communicate without words

 

 

In 1921, Russian designer El Lissitzky was among a group of artists who broke away from Kasimir Malevich’s Suprematists–who believed art need not serve any function beyond its intrinsic, spiritual value–to focus on practical design to aid Russia’s new communist state. These were the Constructivists.

 

Lissitzky, whose work had several distinguishing characteristics–layouts structured on a grid, limited color palettes, tense diagonals, sans serif type, and repetition of pure geometric forms, believed that art and design could communicate in a nation where much of the population was illiterate. He aimed to establish a visual language using shape and color instead of letterforms; in his famous political poster Beat the Whites with the Red Wedge, geometric shapes tell the story of the revolutionaries shattering the establishment.

 

Ladislav Sutnar: Understand your user

 

 

Czech-born Ladislav Sutnar collaborated with writer Knud Lönberg-Holm to improve Sweet’s Catalog Service, which compiled the catalogs of different manufacturers in the construction industry. Recognizing that people look for products in different ways, they developed a system that cross-referenced each item by company, trade, and product name. Sutnar clarified the vast amount of information, using colors, shapes, charts, and graphic symbols to guide the reader. He established hierarchy by emphasizing type–changing scale and weight, reversing out of color, and using italics and parentheses–which made skimming, reading, and remembering easier. (He also established the standard protocol of putting phone number area codes in parentheses.) Sutnar was moving beyond the single page and embracing the double-page spread, creating designs that weren’t just visually interesting, but also helpful. The way he steered readers through complex information sounds much like what we now call information design or information architecture, which has been further developed by Edward Tufte and Richard Saul Wurman, as well as by digital and web designers everywhere.

 

Alvin Lustig: Suggest, don’t explain

 

 

Although Alvin Lustig designed magazines, interiors, packaging, fabrics, hotels, mall signage, the opening credits of the cartoon Mr. Magoo–even a helicopter–he is best known for his book covers. New Directions publisher James Laughlin had been packaging reprints of modern literary titles in a pretty traditional format, and they weren’t selling. Lustig came on board and gave the books new life with bright colors and abstract visuals that echoed the art of Joan Miró and Paul Klee. Rather than showing an image that explicitly represented the story, Lustig read the work and created symbolic visuals that interpreted the book’s overall meaning. The approach worked: stores began displaying the books prominently, and sales tripled. While Laughlin hoped readers weren’t buying the books solely for their covers, he was grateful that the design exposed more people to quality writing.

 

Josef Müller-Brockmann: Use the grid

 

 

The work and writing of Max Bill, an architect and designer who studied at the Bauhaus, influenced Josef Müller-Brockmann and led him away from his illustrative beginnings. Bill developed Theo van Doesburg’s idea of a universal visual language by using a modular grid–the underlying framework of columns and margins that guides the placement of text and images in a layout. It provides order, consistency, and flexibility, and helps to establish hierarchy. It continues to be an important tool today, especially in web design.

 

This grid-based approach to graphic design became the foundation of the International Typographic Style, or Swiss Style, and Müller-Brockmann was a key figure in this influential movement. He stripped extraneous decoration from his design; every element in his layout had a purpose. Over time, his work grew increasingly abstract. For example, he designed a series of concert posters for Zurich’s Tonhalle. There were no music notes or instruments. Geometric shapes and lines were placed on the grid, but were varied in position and scale to suggest movement and rhythm. The result was abstract, yet very musical.

 

Ivan Chermayeff and Tom Geismar: Don’t limit yourself to one style

 

 

In 1960, Chermayeff and Geismar proposed a radical idea: a corporate logo, for Chase Manhattan Bank, that was not based on letterforms or a recognizable image. Their design was simple–four wedges rotated around a square to form an octagon–but it was met with resistance, because at that time no major American corporation had an abstract logo. And that’s precisely why it worked; it stood out from the competition and became an identifying symbol inextricably associated with Chase. Soon, other corporations followed suit with abstract logos of their own.

 

But Chermayeff and Geismar haven’t limited themselves to a particular style. For them, design is solving problems, and they pursue the best solution, regardless of form. They’ve designed more than 100 corporate identities, for clients such as NBC, PBS, Screen Gems, Barneys New York, Boston’s MBTA, and Pan Am. They also create digital media and exhibitions, at venues like the well-known Ellis Island Immigration Museum and the John F. Kennedy Library. Now called Chermayeff & Geismar & Haviv, their strength is in their ideas, and they continue solving problems.

 

Muriel Cooper: Embrace technology

 

 

Muriel Cooper had two design careers: first as a print designer and second as a groundbreaking digital designer. As art director for MIT Press, she designed classic books, such as Hans Wingler’s Bauhaus, and the first edition of Learning from Las Vegas (authors Robert Venturi, Denise Scott Brown and Steven Izenour hated what she did, but many graphic designers loved it).

 

Cooper took her first computer class at MIT in 1967, and it bewildered her. However, she could see the computer’s potential in the creative process, and soon began the second phase of her career: applying her design skills to computer screens. With Ron MacNeil, Cooper cofounded the research group Visible Language Workshop in 1975, which later became part of MIT’s Media Lab. She presented the group’s research at the influential TED5 (Technology, Entertainment, Design) conference in 1994. For the first time, computer graphics were shown in three transparent dimensions, which moved, changed sizes, and shifted focus, instead of the standard Windows interface of opaque panels stacked like cards. She made a big impact: Even Microsoft founder Bill Gates was interested in her work. Unfortunately, she died soon after of a heart attack, but her legacy in interactive design continues.

 

Stephen Doyle: Don’t dumb down the design to reach a larger market

 

 

After working at Esquire, Rolling Stone, and Tibor Kalman’s influential M&Co., Stephen Doyle partnered with Tom Kluepfel and William Drenttel in 1985 to launch Drenttel Doyle Partners, a hybrid design and advertising agency. Drenttel left in 1997, and the studio carried on as Doyle Partners.

 

Doyle’s packaging for Martha Stewart’s line of home goods sold at mass-market retailer Kmart remains among his most high-profile work. And for good reason: Doyle used clean typography, bright colors, and beautiful photography to create a unified and instantly identifiable brand that included thousands of products. The packaging–and the products themselves–proved that high-quality design could appeal to everyday shoppers seeking everyday goods.

 

Paula Scher: Use type as image

 

 

As a design student, Pentagram’s Paula Scher couldn’t get the hang of working with type, of formally positioning words and letters in a layout. Then her teacher, Stanislas Zagorski, suggested that she think of type in a more conceptual way, using it as the main image in her work to communicate visually as well as verbally.

 

In 1994, Scher took on a defining project: a new identity for New York City’s Public Theater (formerly known as Shakespeare in the Park). Director George Wolfe wanted a visual identity that looked nothing like Shakespeare, and Scher designed exactly that: a big, bold typographic language that was loud and urban and distinctive. Her street posters for the show Bring in Da Noise, Bring in Da Funk pushed this in-your-face style even further, with brash type that actually looked noisy. Scher’s design became so popular that it changed theater advertising, as more groups tried to capture the youthful vigor of her work for the Public.

 

John Maeda: Get a design education

 

 

John Maeda was a computer science grad student at MIT on his way to becoming a user interface designer. Then he read Thoughts on Design, by Paul Rand–an experience that shifted the course of Maeda’s career. He took a humbling message from Rand’s book: Understanding the computer did not necessarily make one a good designer. He decided to study graphic design, where he added traditional design skills and concepts to his knowledge of computers.

 

Maeda then returned to MIT to teach, and founded the Aesthetics and Computation Group at the Media Lab. It was there that Maeda explored the area where design and technology meet. For Maeda, the computer is a tool and a medium. He created early digital experiences like The Reactive Square, in which shapes responded to sound, and Time Paint, a time-based program of flying colors. In his quest to educate, Maeda writes books, emphasizes creative thinking, and was the president at Rhode Island School of Design. His goal? Not to make the world more high-tech, but to make it more humane.

This article was adapted from Graphic Icons: Visionaries Who Shaped Modern Graphic Design by John Clifford. Copyright © 2014. Used with permission of Pearson Education, Inc. and Peachpit Press

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7 Essential Tools Every Graphic Designer Must Have | Gregor Kaurin


1. Apple iMac (27-Inch Desktop)

I’m not going to start a war regarding which choice is better, windows or mac. In fact, the software of choice for professionals which is Adobe is available for both platforms. What I’m going to say is, look at the history of Apple. It was made for graphic design. Period. It looks awesome, it works like a charm and it gets the job done. Fast. Reliable. It is a bit pricey but once you get it, you won’t regret it, trust me. And that’s a good rhyme. :)

2. Moleskine notebook

Today most people consider buying a tablet PC but when you think about it, paper is still paper. You can develop ideas faster on paper than on any other machine there is. An excellent choice are the Moleskine notebooks. The design is simply amazing and the quality is exquisite. You will find a variety of notebooks for any need you have, not just graphic design. Get one.

3. Professional Graphic Design Ruler

When you are preparing files for print or you do test prints, what you need is a professional graphic design ruler. This rulers are special, they feature things that ordinary rules doesn’t have. They show: agate, lines, picas, 1/2 to 30 point sizes, 64th of an inch and millimeters.

4. Wacom graphics tablet

I’m talking about Wacom tablets here. Industry standard. A wacom tablet is a great tool for transforming your ideas from paper into digital art, for retouching, coloring, drawing and the list goes on. This tablet is the most accurate thing there is. You are going to pay a little more for the Wacom Cintiq 13HD but when you see this beast in action… you are not going back to the old mouse. You will be more productive and faster than ever before.

5. DSLR Camera

Having a camera may not be the focal point of a graphic designer but it is essential for delivering your high quality, high resolution images, especially if you don’t have access to a stock photography site. That way your photos will also be unique. A good starter DSLR camera is the NIKON D3100. It delivers 14.2MP images and has 18-55mm lenses.

6. A3 Printer (Brother)


Next time you make a design proposal, make sure you do it with style and elegance. Use an A3 printer to make a professional impression. I reccomend using the Brother MFCJ6710DW. It is a high quality, multifunctional printer that also offers A3 printing capabilities and does the job brilliantly. Not to mention that it is a bang for the buck.

7. High quality headphones


Last but not least, having good headphones when working is crucial. Music makes your creativity last longer. The sound that comes out of this headphones is simply incredible. So next time you’ll be working do it with great sound that will inspire you.

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Charles Barnes Resume

Contact
Charles Richard Barnes
6100 Arlington Expy. M201
Jacksonville FL, 32211
Cell. (859) 684-2517
(606) 571-6052
(859)213-6152
Website: http://www.rickydigital.com
Email: andro140@gmail.com
Skype: Wrecky-Bobby

Summary
I have a full range of skills in multiple fields including warehouse office and outdoors environments. I have skills ranging in Factory work, Contractor, Web Design, Graphic Design, Graphic Art, Logo Design, Photography, Desktop Publishing.
I will complete my Associates degree in Graphic Design from FSCJ in 2016.

Experience
891 Frisch’s Big Boy Restaurant                                                      01/2006 – 06/2007
North Main Street, Nicholasville, KY 40356
Daniel Stokes (859) 881-8015
$8.00

  •  I was a cashier, dishwasher, cook and salad bar attendant.

Colomer USA                                                                           07/2007 – 09/2008
5344 Overmyer Drive Jacksonville FL 32254
Robert Short (904) 693-1200
$15.75

  • I was a plastic assembly line worker. I also stacked pallets for shipping.

Amazon.com                                                                           10/2008 – 01/2009
1850 Mercer Road Lexington, KY 40511
Mike Hall (859) 381-0818
$10.00

  • I did general warehouse duties during peek season. I piled pallets, sorted, picked until I was trained as a forklift driver. I remained a forklift operator until I left for training.

Army National Guard                                                               03/2008 – 07/2010
50 Stonecrest Court, Shelbyville, KY 40065
Connell Rodriguez (502) 633-7804
$625 BiWeekly

  • I was a computer operator maintainer and soldier for the Kentucky guard. I completed all duties as a soldier of the Kentucky National Guard.

Denny’s                                                                                   07/2010 – 05/25/2013
1880 Newtown Pike Lexington, KY 40511
Debbie Peterson (859) 233-1874
$10.00

  • I started as a service assistant than I trained in trained in all other areas of the restaurant. I mainly cooked but my duties included stocking cleaning rotating food prepping and counting inventory.

Wal-Mart Supercenter                                                              07/2010 – 12/2012
500 W New Circle Road Lexington, KY 40511
Stephen Bel (859) 381-9370
$9.00

  • Trained in customer service, stocking and receiving and HAZMAT clean up.

Androcity                                                                                01/2002 – 01/2010

  • I created a Friday comic strip and web mastered androcity.com. I created all the graphics, HTML and installed the forums and a content management script using MYSQL and PHP coding. It was a Photoshop heavy site using nothing but HTML and CSS built in Notepad.
  • http://www.androcity.com (archive)

 

Shadowseen Studios                                                                  02/2010 – 02/2013

shadowseen_business_card_3d_by_andro140-d5bm051

  • Here I made everything from illustrations to website banner ads. This was my personal website I had for the sole purpose of sharpening my skills. I used to test PHP CSS and MYSQL scripts and codes on this site weekly. It was also for art, music and animation.
  • http://www.shadowseen.com (closed)

 

Ricky Digital Graphic Design                                            06/22/2013 – Current

ricky_digital_logo_by_andro140-d5xdgw4

 

Adecco With Stratosphere Quality                           06/25/2013 – 12/07/2013
Webasto Roof Systems
2201 Innovation Dr, Lexington, KY 40511
Adecco Staffing: (859) 223-3112
Webasto: (859) 389-6100
$9.00

  • Responsible for inspecting quality of manufactured and shipped in products and equipment. This also included logging and repackaging, repair and rework, painting, assembly, use of power tools, contract work, attention to detail.

Adecco With UPS                                                            12/08/2013 – 02/01/2014
Amazon LEX2 Building
172 Trade St, Lexington, KY 40511
Adecco Staffing: (859) 223-3112
UPS: Josh Thomas: (859) 475-7014
$10.50

  • Responsible for unloading packages from trucks onto conveyor providing continuous flow of packages.

Education

GED From Earle C. Clements Job Corps.

FSCJ                                                                            2014 – —-

Currently rescheduled for Graphic Design classes

Full Sail University                                                                   2011 – 2012

I’m a former student at Full Sail University in the online graphic design bachelors program. I worked on a lot of logos magazine articles and web pages. The classes are online and the work is real world based with strict timelines and realistic projects.

Earle C. Clements Job Corps                                                    2008 – 2009

I studied computer repair and graphic design for a year and got a solid grounding in print. This is where I learned about non-web based graphics and desktop publishing.
– GED

Skills

Adobe Photoshop, Adobe Illustrator, Html Editor, Adobe Dreamweaver, Adobe Suite, Print Advertising, Print Design, Web Content Development, Html Design, Graphic Design, Graphic Art, Logo Design, Photography, Desktop Publishing, adobe, Dreamweaver, English, html, illustrator, web site production.

 

I have skills in both web and print styles. I use the Adobe Suite for all my work and I’ve worked with it enough to replicate anything just by looking at it. I know Photoshop best of all out of the suite having used the program since childhood. I have experience in web design and HTML coding, web marketing and ad placement. I currently work on personal and academic projects while doing commissions that may improve my skill and portfolio.

I also have skill in computer service repair and an excellent understanding of electronics. I can also do print work and manual labor.

Some examples of my work can be found on my Deviantart portfolio page. http://andro140.devianrtart.com

Download Resume DOCx File here
http://rickydigital.com/resume.docx

 

 

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3 Reasons to Buy and Sell Penny Stocks

3 Reasons to Buy and Sell Penny Stocks

How many times have you kicked yourself for not investing in some of today’s leading stocks back when they were actually affordable?

The majority of Americans find it nearly impossible to buy stock in their favorite companies because they’re simply too expensive. For instance, Google is now available for $780 per share and Apple at $422 per share.

And then there is the fear that many of the leading stocks are inflated and poised to fall. Paul Sommerville, financial advisor and contributor to the Independent, warns “the next few years will be characterized by gut-wrenching sell-offs.”

This leaves small investors looking for fresh investments that have the power to reap major rewards in the near future. And that’s where penny stocks come in— offering you the opportunity to get in on the ground floor.

How It Works
When smaller companies go public and make their stocks available for less than a dollar per share, their shares are called “penny stocks.”  Small investors can easily and affordably purchase them. Regulated by the SEC and other official authorities, they are traded in “over-the-counter” markets rather than the NYSE.

There are a number of reasons to consider purchasing penny stocks, but here are the three most compelling:

1. Small Investment for Many Shares
With penny stocks, you have the power to purchase thousands of stock shares for a rather small investment. For example, if a technology company is selling shares at 10 cents and you make $500 investment, you can own 5,000 shares. If the stock rises to just $1.00, your investment will turn into $5,000.

This gives you the opportunity to purchase stakes in several companies at a time (with potential for major gains), rather than investing in one or two overpriced NYSE stocks that may earn you a couple dollars here and there.

2. Huge Returns in a Short Amount of Time
With some help on the research side, you can discover penny stocks ready to explode overnight. Unlike most stocks on the NYSE that can take years to grow, it is common for penny stocks to double and even triple in a single day.

3. Easy to Buy and Sell
Penny stocks are traded exactly like major stocks. All you need is to establish an online trading account to buy and sell, or you can use a traditional broker to place your trades.

A Powerful Trick of the Trade
As you’re probably aware, any stock has a certain degree of risk that comes along with it. This is why it’s essential for you to do your homework and carefully research each penny stock you purchase.

One of the very best tools on the market for researching and tracking penny stocks is 900PercentStocks.com. The site tracks the market daily, identifies high potential companies, and offers regular hot picks with their really useful email newsletter.

One of the biggest selling points of 900 Percent Stocks is that the service is completely free. To subscribe, all you have to do is enter your e-mail address, and you will never be asked to pay.

Once you dive in and learn more about penny stocks, you will be amazed at the numerous opportunities available. The secret to your success is the perfect combination of research and education. The more you know, the more likely you will reap amazing rewards!

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