Tag Archives: design

Creative Latitude: Neil’s Newbies

Neil’s Newbies is a Creative Latitude column devoted to those just starting to hang out their shingle. I’ll be focusing on business startup issues, finding clients, sales, promoting your practice and all the other nitty gritty must-dos that fall outside of the creative process.

Some editions will address questions from newbies. Others will be in the form of articles. So, email me with what’s on your mind, your questions or your concerns about starting up your creative enterprise. I’d do my best to get them answered.

Article:
Using market research for solid design solutions
By Neil Tortorella
Article:
How and where to begin your marketing
By Neil Tortorella
Article:
The Fine Art of Saying No
By Neil Tortorella
Article:
Taming one of your most important marketing assets
By Neil Tortorella
Article:
It’s time to check spec at the door

By Neil Tortorella
Article:
How do you Rate?
Figuring your real hourly rate.

By Neil Tortorella
Email query:
The new business balancing act
by Neil Tortorella
Email query:
Finding the right clients
by Neil Tortorella
Article:
5 tips for generating referrals
by Neil Tortorella
Email query:
What’s in a name?
“We’re looking for help with an explanation of what we do that makes sense to our audience.”
by Neil Tortorella
Article:
Here now. There tomorrow.
by Neil Tortorella
Article:
10 tips to jump start your marketing
by Neil Tortorella
Monthly Self Promotion Article — 12 of 12:
One girl’s journey
by Holli Conger
Article:
Finding your Muse
by Neil Tortorella
Monthly Self Promotion Article — 10 & 11 of 12:
One girl’s journey
by Holli Conger
Article:
Doing your homework
by Neil Tortorella
Article:
The question of confidence
by Neil Tortorella
Monthly Self Promotion Article — 9 of 12:
March
by Holli Conger
Article:
Expand your [marketing] horizons
by Neil Tortorella
Monthly Self Promotion Article — 8 of 12:
It’s Paying Off
by Holli Conger
Article:
The brouhaha of business budgeting
by Neil Tortorella
Monthly Self Promotion Article — 7 of 12:
A Busy Year Ahead
by Holli Conger
Article:
The problem with self promotion
by Neil Tortorella
Email query:
Becoming a full-fledged ad agency
Email query:
Landing a design job without a design-specific education
Monthly Self Promotion Article — 6 of 12:
One girl’s journey to doing what she loves
by Holli Conger
Monthly Self Promotion Article — 5 of 12:
One girl’s journey to doing What she loves
by Holli Conger
Article:
The problem with spec work revisited
by Neil Tortorella
Monthly Self Promotion Article — 4 of 12:
One girl’s journey to doing what she loves
by Holli Conger
Article:
Making the leap into event planning graphics
by Viki Anderson
Monthly Self Promotion Article — 3 of 12:
One girl’s journey to doing what she loves
by Holli Conger
Article:
More on sales: The cycle of the sale

by Neil Tortorella
Monthly Self Promotion Article — 2 of 12:
One girl’s journey to doing what she loves
by Holli Conger
Article:
Grab yourself a ticket out of no brand’s land.

by Neil Tortorella
Monthly Self Promotion Article:
One girl’s journey to doing what she loves
by Holli Conger
Creative Latitude invites you to indulge those voyeuristic tendencies you’ve been keeping in the closet. Join Holli Conger as she moves her practice focus from graphic design to illustration — cold turkey.

Each month, Holli will be sharing her diary of the good, the bad, the triumphs and setbacks as she enters the world of illustration.

Be sure to stop back each month to learn what’s working and what’s not. Odds are, you’ll even get some tips on whether cloth or disposables are best. Can somebody please pass the Similac®?

Article:
Sales planning for fun and profit
Or, How I built my practice by playing dialing for dollars
Article:
A capital defense
Finding startup capital for your practice
Email query:
“I am in the early planning stages of starting my own web/graphic design firm. I am finding that developing a marketing strategy is one of the more difficult aspects of creating a successful business …

 

 

 

 

“I am in the early planning stages of starting my own web/graphic design firm. I am finding that developing a marketing strategy is one of the more difficult aspects of creating a successful business. I want clients that will enable me to be somewhat experimental and edgy with my design. Of course I don’t want to limit myself, so appealing to a broader market is necessary. What, in your opinion, is the key to developing a successful marketing strategy? Any insights you have will be appreciated.”
Marketing involves the four “P”s: Product (service); Price; Place (distribution) and Promotion. For the purpose of this article, let’s focus mostly on the Product and Promotion aspects.A good starting point is doing a situation analysis. Where are you at now and where do you want to be? Who is your competition and what are they up to? What kind of rates are competitors charging? How broad is your marketing environment? Will you be working locally, regionally, nationally or maybe internationally? Who are the key players you want to target? What yanks their chain and is important to them? Are there enough potential clients for you make the dough you want?

Next, you’ll want to look at specialization. Are there particular industries that are a good fit with your type of work? For edgy and experimental, the music industry comes to mind. But, that’s a pretty localized market. Nashville, Memphis, LA and New York pop out. I live in an area where the bulk of the prospects are manufacturers. Look at what’s around you. Find what your strength are and what you enjoy doing. Also look at types of projects. Jeff Fisher, specializes in identity projects, for instance. I specialize in small business and nonprofit organizations. But, that’s not all we do. It is, however, what we promote.

Next comes finding those folks who are going to let you do that work and pay you the big bucks for your efforts. There are several sources at your local library’s reference desk. I suggest starting off with the Index Guide To Advertisers and the Index Guide To Advertising Agencies (if you want to do work for agencies). These are also called the Red Books. They list a lot of information – contact names, phone numbers, type of projects broken down by percentage, budgets, etc. You can find them online as well at

www.redbooks.com

Some other sources are Thomas Register of Manufacturers, Million Dollar Directory, Standard & Poor’s Register of Corporations, the Encyclopedia of Associations. Ask the reference librarian to point you in the right direction. If you’ve got dough to spend, the List is a good source. You can find them at

thelistinc.com

I’d recommend, over time, putting together a list of 300-400 qualified contacts, not just random company names. It’s important to remember that people buy from people and usually people they like. You’ve got to have a contact person to build a relationship. You can also try calling a company you want to work with and ask the operator who handles the purchase of graphic design and web stuff. Most are happy to give you a name.

Some sort of contact manger is a good idea to keep everything tidy. ACT! is pretty good. You’ll want one that integrates a calendar, contact info, notes, letters, etc. These applications tie everything together so you’ll have a neat track record of all your touch points with each prospect.

Okay, so now you’ve got a list. What are you going to do with it? This is where the strategy part come into play. A marketing strategy, in its broadest form, is about how you plan to best use the resources you have to reach your goals. This point could easily turn into a lengthy tome, so let’s par it down to refining your message and then finding the most effective methods to get your it in front of your prospects.

Lofty goals are nice, but without some action plans, you probably won’t get too far. The trick with goals to write them down and then chop the big goal into smaller ones. Each sub-goal has a list of tasks you need to do to realize the goal. Pretty simple, eh?

You’ll want to create many points of contact and have solid, doable action plans. Your points of contact can include, telephone calls (cold and warm), email, e-newsletter, postcard mailings, press releases, search engines and directory listings on the net, perhaps a brochure or other mailing piece, speaking engagements, awards, etc. One thing that works well for me is simply emailing a link to an article I think the prospect will find interesting. It helps to position me as a resource in their mind. Easy and cheap.

I’d recommend you put together your planning based on quarterly activities, monthly and maybe even weekly. Stick them up on the wall where you’ll see them so you don’t forget. It’s easy to put this stuff off, especially when you get busy. Beware the “busy trap.” You’ll want to aggressively market your firm when you’re busy, so you’ll stay that way. The sales cycle for design can be 6-8 months or longer. That’s the time from first contact to getting a gig. If you’re not marketing in some fashion, when the well dries up, and it will at some point, you’ve got a lot of catching up to do. That is, if you can catch up at all.

The mailings can be done, say, once each quarter along with a press release to relevant media about new clients, successful projects, awards you’ve won, volunteer projects, etc.

You might want to check you ranking in the search engines once a month, along with sending out an e-newsletter.

As for weekly, set aside a certain amount of time to make phone calls, write introduction letters and emails. Oh heck, live a little and maybe take a prospect or two out to lunch.

Remember that it takes time. All this stuff has something of a synergistic effect and begins, slowly, to work together building awareness of your firm.

Beyond this is branding your firm. That’s a load more than whipping up a nifty logo. Think about your brand promise. What do you consistently and effectively bring to the table? What makes you different? What can you do that the other guys and gals can’t? Branding is all about differentiation and consistency — your mark, colors, how you act, how you look, your customer service, the presentation and quality of your work, etc. Your brand is your reputation that lives in your prospect’s mind.

A few short words on pricing. How will you price your services? Will you position your firm on the high end? After all, much of marketing is about perception. High fees are often perceived as high value. But, you might price yourself right out of the market, too. Take the time to calculate your rate(s) and then make a judgment where you can realistically be, given your marketing environment.

Pulling this all together doesn’t happen overnight. Give yourself the time to do your homework and create a killer plan that positions you at the top of the heap. Because, when the day is done, it all comes down to planning your work and working your plan.

via Creative Latitude: Neil’s Newbies.

The ultimate collection of freelance design tips | Feature | Computer Arts magazine

Ditch the 9 to 5 and become a freelance master with our round-up of essential advice

Being a freelance designer is something that many of us dream of, with thoughts of telling your boss to shove it high on the list, closely followed by fantasies of working the hours you want to work.

Talk to anyone living the life, however, and you’ll discover that being a freelance designer is hard. Sure, there are plenty of benefits, but there are also a host of pressures that ensure you always have to stay top of your game.

With this in mind, we’ve scoured the deep, dark recesses of the internet, and found 60 unmissable articles to help you become a better freelance operator.

So whether you’re an experienced freelancer with a list of clients as long as your arm or a recently graduated designer setting out in the big wide world, we’re sure you’ll find something to interest you in our killer compendium of freelance links.

Going freelance

8 things you should know when starting your freelance business

How to start a freelance business today (tools for beginners)

6 steps to becoming a freelancer

8 common misconceptions about freelancers

17 tips for designers on starting a freelance business

10 Nos for freelancers

The good and bad of freelancing

Freelancing pros and cons

Why I hate freelance designing

15 benefits to working as a full time freelancer

15 drawbacks to working as a full time freelancer

Getting new business

10 essential steps to making the perfect pitch

How to stop scrambling for clients and get a steady stream of paying gigs

9 steps towards genuine & effective networking

The right and wrong ways to compete for jobs

How to make potential customers pick you over ‘the other guys’

The secret to landing clients nearly 100% of the time

10 ways to gain more design work by building trust and relationships

Getting clients: approaching the company

A guide on how freelancers can compete against large design studios

Marketing yourself

10 passive marketing opportunities for freelancers

15 guerilla marketing tips for freelancers

Solve the common marketing problems that bug most freelancers

Dealing with clients

How to increase the value of your design services for clients

8 strategies for successful relations with clients

What to do when the client is wrong

5 tricks that make you more attractive to clients

Negotiating with clients 101

10 types of bad clients and how to avoid them

3 smart moves to make after landing a new client

When and how to dump a client

10 things I hate about clients

Three sure-fire ways to receive a killer referral from your clients

How to get your clients to take you seriously

Client communication: the most important part of freelancing

Low maintenance freelancing: 4 ways to reduce client clutter and never pitch again

Se7en – the 7 deadly questions and their answers

Financial advice

Financial management tips for freelancers

8 sure-fire ways freelance designers can earn passive income

Increase your freelancing income by narrowing your focus

Budgeting for freelancers

5 ways to earn more than the average freelancer

Fast, good, cheap: pricing freelance work

The ‘hows’ of pricing your design work

7 tips on quoting freelance projects

Freelance contracts: the do’s and don’ts

10 rules for negotiating contracts

Time management

13 principles of effective time management for freelancers

Freelancers: Time to manage your time

5 ways to get more done by not doing

Freelance success

10 principles of successful freelancers

10 tips for becoming a freelancing powerhouse

Are these 5 mistakes holding you back from freelance success?

12 tricks for optimising your freelance career

10 keys to growth as a designer

The freelancers’ secret

8 simple tips for freelancers to keep focused

How to make yourself stand out as a freelancer

Less is more: 10 methods to be more productive, more profitable, and happier

How to effectively organize, manage and maintain your freelance design business

101 helpful tips and tricks for freelancers

via The ultimate collection of freelance design tips | Feature | Computer Arts magazine.

Graphic Design Licenses

Cash Out on Graphic Design Licenses

By Doug Farrick

Learn how you can make great profits by licensing your graphic designs. Licensing is a fascinating and little-known area for exploiting the profit potential of your firms work (or work you would like to create).

As a graphic artist, you need to know how to license your graphic designs for big profits. As a graphic artist of unique work, you can sell the license for your graphic design to interested buyers. Graphic design customers use graphic designs for communications, marketing, multimedia projects, print publications, online publications and for inspiration.

Many Customers for Graphic Design

Business customers want images for advertising, promotional purposes and publishing. Examples of customers include publishers, website designers, marketing professionals, art directors, retailers, manufacturers and advertising agencies. Potential customers will buy graphic images in many formats to accommodate different personal needs for creative works, video, transfers, stencils, schools, community, office clipart and niche graphic design customers.

Register Image, Sell Image License

Each graphic design needs a title, brief description, keyword list and suitable categories. You can update your work to attract new customers and keep current customers. After the graphic work is done, you will need to register your work before you can begin marketing and promoting your work.

You can register your images with the copyright office and include information such as the image data, your name, title for the image, copyright owner, terms of transferring use of the image to another person and any other agreement information pertinent to licensing. You can sell license types related to how a customer can use or change your work.

You can offer royalty free graphics, rights managed files and amateur images. Royalty free rights can be sold for ongoing use and the sale is based on the image qualities, not the use of the work. The royalty free buyer may wish to extend a license to include the use of a graphic for a trademark or a logo, resale merchandise, sharing the image or use for a public work of art. Royalty free graphics are generally cheaper than rights managed works.

Graphic designers with a great reputation or excellent works that are difficult to re-create can have elevated prices. Prestigious and exclusive graphic works may involve a rights managed sale, which is for a one-time use or ongoing use that is determined on the purpose, placement of the image, how long the image is required, circulation and the size of the image.

Fill That Niche with Stock Work

You can sell your images for low prices at many stock graphic image sites or you can sell stock graphics from your own website. Stock images are convenient, inexpensive and offer variety for customers. You can fulfill a niche with your graphic design to attract targeted buyers. Look for a category that is underrepresented in stock galleries.

The trick to having successful stock work is display your work in large gallery with a searchable site. Users must be able to draw up images with different keyword approaches.

Micro-Payments

Selling stock images online is an option that can bring constant revenue built upon small payments from online customers. You could make more money selling hundreds of copies of an image at a small price than you could from the one buyer who wants one graphic. Selling your work at a small price gives all your customers the encouragement to buy more work from you. Your graphics will make a profit as your work and the websites attract more attention.

Membership Sites

Selling one image two-hundred and fifty times for a price of 50¢ will make a profit of $125. If numerous small payments are too much trouble, you could consider a one-time payment for entry into your membership site. A paid subscriber is allowed so many downloads a day based on their paid membership fee. You can use different websites to cater to the tastes of different clientele. You can make a collection of your graphic images and put them on a CD. This would work well for selling to target groups who visit your websites. Some graphic designers will offer some work for free to attract paying customers.

Customers will be attracted to a website with your graphics because of several reasons. It could be the size of image collection, types of graphics, fast search capabilities and an excellent category system. High quality images and a large volume of graphic images will bring in more potential customers.

When you know how to license your graphics for big profits, you will be able to create different streams of revenue with your work. You can sell copies of your work to customers who have a limited use of their copy based on your decision about the licenses for your work.

Resources:

Before Licensing (Creative Commons) – http://wiki.creativecommons.org/Before_Licensing

Licensing Course – http://www.licensingcourse.com/thecourse.shtml

International Licensing Industry Merchandisers’ Association: http://www.licensing.org/index.cfm

Sell Your Pattern Designs – http://patternstock.com/

Greeting Card Licensing – http://tinyurl.com/2eu5lf

via Graphic Design Licenses.

Freelancing 911: Turn Your Business Around With Cold-calls

Freelancing 911: Turn Your Business Around With Cold-calls

 


Photo by Khedara.

Okay, admit it: Business has been slow. And you’re wondering how you can turn things around.

A quick Internet search will reveal an abundance of business turnaround advice. Quite often, you’ll find a checklist of things to do. But, trouble is, some of those to-dos won’t show results for years. I’m referring to things like joining and getting active in business organizations, speaking to groups, seeking publicity, and cultivating others for referrals.

In addition to the not-so-helpful checklists, there’s the Perfectionist Trap. You know you’ve been snared when you’re spending hours, if not days, on creating the ultimate advertisement, postcard, flyer, website, or anything else that you think will improve your business.

I know the Perfectionist Trap very well. And I’ve learned is that it’s a luxury I can’t afford. It takes too much time away from finding new clients.

But what kind of new clients? If you’re feeling as desperate as I was a year ago, you may be tempted to open the phone book to the letter “A” and start dialing the first business name you see. And Martha’s Voice of Experience is here to say,“Not so fast! You have some planning to do first.”

I’m going to take you through a five-step process that I’m using to turn my business around. We’ll do some planning in the first step, and then we’ll take action.

Step One: Create Your Ideal Client Profile (ICP

Why have an ICP? Because if you don’t, you’ll waste time trying to sell your services to people who:

  1. Can’t afford what you’re selling.
  2. Don’t want it.
  3. Can’t understand why they’re hearing from you.

Since most freelancers deal in the business-to-business realm, your ICP should include such information as:

  1. The industry or industries in which your target company operates.
  2. The company’s annual revenues.
  3. Whether the company is in startup stage, is growing, or is mature.
  4. Whether the company is publicly traded or privately held.
  5. The job title(s) of who you’re going to contact in this company.
  6. Your contact person’s budgetary authority, e.g., can your prospect spend money on your services without having to ask the boss?
  7. Location of the company. (Are you focusing on companies in your hometown? In your state or province? Nationally or internationally?)

Tip: If you’ve never considered these seven ICP building blocks before, they can seem daunting. You may be wondering how to determine a company’s annual revenues, or if it’s privately held, rather than publicly traded. And you may not know whether the company has just started, or if it’s a mature operation.

Rather than embarking on a time-consuming information hunt, look at these building blocks as a wish list. For example, with the first item on the list, ask yourself what kind of industries you want to target.

Likewise, with the second item, ask yourself if you’d like to deal with million-dollar companies. Or higher annual revenues. And so it goes. The ICP building blocks are there to guide you toward creating a profile of businesses you’d like to deal with.

But what if you’re not targeting companies? Maybe you’d prefer to deal with non-profit organizations. Or academia. You can still use the ICP building blocks with just a bit of tweaking.

For example, I’m finding success in selling design services to universities. So, here’s what my academic ICP looks like:

I’m selling design for the Web or for print. My target markets are programs in business, mathematics, science, and technology at public and private universities in the U.S. Within these universities, I am focusing my sales efforts on faculty members and administrators who exercise control over budgets for their departments or their research projects.

Step Two: Find Leads Lists

One you’ve decided who you want to deal with, you’ll need to start talking to them. So, you’ll need some leads lists.

The good news is that leads lists are quite easy to find. In fact, you’ll soon find yourself buried in them.

There are industry directories, trade association membership lists, company websites with employee rosters, and so it goes. If you need more list-finding help, just head over to your public library reference desk with your ICP, and you’ll find a veritable treasure chest of resources.

Now, you may be wondering if you can make cold calls with the Do Not Call List in effect in the U.S., and similar restrictions in place elsewhere. I can only speak from my experience as an American calling within the U.S., but it is still legal to make business-to-business calls.

And did you know that some organizations encourage your calls? Case in point: I recently attended a “How to Do Business with Us” seminar at a local university. The sign-in table had a big stack of campus phone books, which we attendees were invited to take and use for prospecting. The seminar organizers also told us how to find numbers in the university’s online directory, which is more current than their phone book.

When I’m on a telephone prospecting mission, I like to start with at least 300, if not 500 names. I may use more than one list to get to these totals. This doesn’t mean that I’ll actually talk to 500 people. I’m finding that about 60% of my calls go to voice mail, and only one in 100 or 200 of those calls gets returned. Despite such small odds, I’m on my A-game when leaving a voice mail.

As for the dreaded n-word, no, about 30% of my calls get that result. I don’t try to persuade the “no” people to change their minds – I simply thank them for their time and move on to the next call.

As for the dreaded n-word, no, about 30% of my calls get that result. I don’t try to persuade the “no” people to change their minds – I simply thank them for their time and move on to the next call.

The remaining 10% is where the clients are. Some of these people will have an immediate need, and I’ll set up a meeting so we can get started on a project. Others might have something in a month or two, or maybe longer than that. They’ll be covered by the follow-up system I’ll describe in Step Five.

Step Three: Scripting Your Calls

Since the people I’m calling aren’t expecting to hear from me, I use a brief, pre-written script. This keeps me from stammering and rambling – the kiss of death for any cold-calling effort.

If I’m dialing a list of university faculty who fit my ICP, here’s how the call goes:

Me: “Dr. X?”

Dr. X: “Speaking.”

Me: “My name is Martha Retallick, and I’m a freelance graphic designer here in Tucson [or, if calling elsewhere, in Tucson, Arizona] and I’m calling to see if I can assist with design for the Web or print.”

And then I stop and wait for the response. Usually, it’s a very polite “No, thanks.” In more than 3,000 cold calls during the past year, I’ve found that the nasty responses are few and far between.

If response falls into that 10% of people who are interested in my services, the conversation turns into a question and answer session. They’ll ask about the websites that I’ve done, and I’ll offer examples from my online portfolio, which they can review while we’re talking. Or I’ll mention a project that I’m currently working on for someone they might know. Tip: It never, ever hurts to name-drop.

If my call lands in voice mail-jail, I simply follow my message script:

“My name is Martha Retallick, and I’m a freelance graphic designer here in Tucson [or, if calling elsewhere, in Tucson, Arizona] and I’m calling to see if I can assist with design for the Web or print. You can reach me at [my phone number, including area code] or my website, Western Sky Communications dot-com.”

Since the third word in my website address is a plural, I say “Western Sky Communication-zuh dot-com.” It pays to enunciate. I’ve found some people interested enough to return my call via my website contact form.

Step Four: Making the Calls

I’ll let you in on a little cold-calling secret: Don’t get too excited. You’ve probably taken calls from those overly enthusiastic salespeople who start with “How ya doin’?” A real turnoff, isn’t it?

That’s why you should make your calls with a flat, neutral tone. You’re going to get a lot of rejection, and injecting your emotions into the calls will just make those “no” answers hurt even more. Staying detached will help you persist.

Speaking of persistence, here’s a challenge: See how many calls you can make in an hour. Or a day. I’ve found that I can do about 30 an hour, and I’ve made as many as 100 in a day.

At the end of that 100-call day, I had a sore jaw and a cauliflower ear. Which brings up another tip: If you’re going to do a lot of calling, get a phone with a headset. Your body will thank you.

And be sure to drink water as you call. There’s nothing worse than launching into a coughing fit because you let your throat dry out. (True confession: I’ve done this.)

As mentioned before, I’m a big fan of online directories. Whether it’s a list of faculty in a certain department or members of a trade association, I like to make printouts so I can use them as call sheets for tracking my completed dials. Here’s my coding system:

M Left message
N Said no
I Requested further information

Wrong numbers and perpetual busy signals don’t get counted – I just keep dialing.

At the end of each calling session, I tally my M, N, and I codes on a spreadsheet. This helps me stay on track with my calling goals.

Tip: Never, ever forget that this is a numbers game. The more ICP people you talk to, the better your client-finding odds are. In my own business, cold calling has helped me find a much more interesting and better paying clientele than I’ve ever had before. So, if I can do it, you can do it

What if they prefer to be e-mailed?

Ever hit someone’s voice mail, only to be told that it’s best to send an e-mail? Here’s what to do:

1. Follow your usual phone message script and mention that you’ll also be sending an e-mail.

2. Open your e-mail program and use this message template:

Subject: Design [or whatever you’re selling] services information request

I am a graphic designer in [put your hometown here]. I’m contacting [people in the recipient’s business or industry] to determine whether you have an occasional or ongoing need for Web or print design. My recent work includes [project description goes here, along with a link].

I’ve also done design work for [list two or three names that the recipient might know].

How can I be informed about freelance design opportunities in your area?

[Put your name and sigfile here.]

I put cold e-mails in the same category as leaving a cold voice mail message. You probably won’t many replies, but be on your A-game anyway. You never know when someone might be interested.

Tip: If you’re not in a position to do cold calling – let’s say you work from a home with small children – cold e-mailing can be a viable alternative. Just try not to send huge batches of the same message to a single organization at one time. That’s what the spammers do. Instead, sprinkle those prospecting e-mails throughout your workday.

Step Five: Your Follow-up System

If your cold-calling efforts are like mine, you won’t be having any further contact with 90% of the people you reach. They’ve said no, or they’ve decided not to respond to your voice mail message.

But how do you handle that golden 10% from which your new clients will come? Here’s my system:

At the end of each calling session, the 10-percenters get entered into my contact manager. Here’s what each record includes:

  • Lead’s first and last name
  • Company
  • Job title
  • Telephone numbers (office, home, mobile, etc.)
  • Mailing address
  • E-mail
  • Follow-up date

The contact manager also allows me to assign at least one category to each person. Since I’ve just started talking to this person, she’ll go into the “Lead – Pitch” category. This means that it’s time for the second part of my initial follow-up. I send her a brief e-mail that pitches my services. Here’s the template:

Subject: Samples of recently completed projects

Thank you for taking my call today. As a follow-up, I’m sending samples of [two or three] recently completed projects:

[Project titles, one- or two-sentence descriptions, and links go here.]

Again, thank you for taking my call. If you have any questions or comments, please don’t hesitate to get in touch.

[Put your name and sigfile here.]

After the pitch e-mail goes out, it’s time for Initial Follow-up, Part Three. My “Lead – Pitch” people get a handwritten postcard with an example of my work on the front and my contact information on the back. Below the contact info, I write:

Thank you for taking my call on [day of week]. I’m looking forward to working with you!

– Martha Retallick

Tip: Writing “thank you” notes isn’t as common as it once was. So, get into the habit. You’ll really stand out in the crowd.

Okay, that’s it for the initial follow-up. Let’s look at the bigger picture. The ideal progression from “Lead – Pitch” is to go up to the “Prospect – Meeting” and “Prospect – Proposal” categories, then on to “Client.”

But this doesn’t always happen. Some people aren’t ready to become clients when you call and do your initial follow-up. Don’t be heartbroken – just stay in touch with them. You can do this by:

  1. Adding them to your e-mail newsletter, podcast, or blog lists. (Ask first!)
  2. Making periodic “keep in touch” phone calls and e-mails.
  3. Inviting them to attend events with you.
  4. Including them in your direct mailings.
  5. If you see a useful newspaper or magazine article or website link, send it to them.

Tip: I’m finding that some of the people I called last summer are just beginning to express an interest in becoming clients. So, yes, it does pay to stay in touch.

On the downside, you’ll find that some of the people who’d earlier expressed interest have changed their minds. Or you just can’t get through to them anymore. Oh, well. This means that it’s time to remove them from your contact manager. It also means that you need to keep reaching out to new people.

Remember, this is a numbers game. You have to keep playing. And, with this new business development system, you can keep playing, no matter what the economy’s doing.